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A mile or two down the creek the searching party sought diligently for the little lost boy. Moses was in the lead. He had announced his adamant resolve to find St. Elmo, or perform the irrevocable feat of “bustin’.” He cherished an idea of his own as to the child’s whereabouts. A few weeks previously, on an all-day excursion, Moses had played pirates with St. Elmo and they had utilized a most delectable earthy cave for their game.,
Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.,
“My conscience! You can’t eat all—” May Nell stopped, conscious of an unkindness. But the boy only laughed; he was used to comments on his appetite.,
The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat.
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CHAPTER XVII.—A SAMPLE OF EBENEZER WOPP’S IRE.,
“No, it isn’t, sister! I’ve thought of a way out. Keep the kids straight here—I’ll be back in a minute.”,
CHAPTER I THE LITTLE EARTHQUAKE GIRL,
A loud whisper from Pete Stolway disturbed the orator.
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The curtain fell on the first act and the house rocked with the noise. It is probable the audience, predetermined to be pleased, would have approved anything offered; but so far it was more beautiful than had been expected.
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As Moses clattered down stairs, Mrs. Wopp continued, “There is shore a thunderstorm comin’ up to-night. ’Pears to me I heerd like a roll of drums.”
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>Bess arrived at last. A gorgeous affair was her chariot, the foundation being Mr. Prettyman’s spring wagon. Bess, with some borrowings, Charley’s help, and her own quick invention, had made a very good imitation of a circus wagon. Charley, the Strong Man, held the reins over old Dom Pedro, the horse she loved, that had once been a racer. She had discovered some very real looking, jointed snakes that wriggled and curved in a manner startlingly serpentine; while tremendous boa constrictors, cut from old circus posters, were disposed about the cage in alarmingly lifelike positions.
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